Aguilera Carnerero, Carmen, & Margarita Carretero-González (2021). “The Vegan Myth: The Rhetoric of Online Anti-veganism.” The Routledge Handbook of Vegan Studies, ed. Laura Wright, 354-365. Routledge.

Alonso Recarte, Claudia (2012). “Espacios y especies en intersección: cuerpos femeninos y la esfera doméstica en el activismo por los derechos de los animales // Intersecting Spaces and Species: Women’s Bodies and the Domestic Sphere in Animal Rights Activism.” Investigaciones Feministas 3: 85-98.

Alonso Recarte, Claudia (2013/2014). “Organicism, Womanhood and Domesticity in Anne LaBastille’s Woodswoman Saga.” Gender, Place and Culture 21: 1125-1141.

Alonso Recarte, Claudia (2013). “‘Is it happy cats or is it an Ireland free we’re after?’: Animal Rights, Terrorism and American Audiences’ Response to Martin McDonagh’s The Lieutenant of Inishmore.” Adaptations, Versions and Perversions in Modern British Drama, ed. Ignacio Ramos Gay, 154-172. Cambridge Scholars.

Alonso Recarte, Claudia (2014). “Anti-French Discourse in the Nineteenth-Century British Anti-Vivisection Movement.” Atlantis 36 (1): 31-50.

Alonso Recarte, Claudia (2014). The Vivisection Controversy in America. Friends of Thoreau Case Study Series. Franklin Institute, Universidad de Alcalá. ISBN: 978-84-608-1541-9. https://institutofranklin.net/sites/default/files/2021-03/Vivisection-in-america-Case-Study-DEF.pdf

Alonso Recarte, Claudia (2015). “De caballos, perros y palomas: el animal en la cultura militar de la Primera Guerra Mundial y su reflejo en la literatura.” La Primera Guerra Mundial en las literaturas alemana, francesa, italiana, inglesa y norteamericana, eds. Carmen Manuel Cuenca & Ignacio Ramos Gay, 387-404. Universitat de València.

Alonso Recarte, Claudia (2015). “Gallophobie et discurs anti-vivisection: Frances Power Cobbe.” Curious about France: visions littéraires victoriennes, ed. Ignacio Ramos Gay, 205-219. Peter Lang.

Alonso Recarte, Claudia (2016). “Animal Liberation, American Anti-Terrorist Culture and Denis Henelly’s Bold Native.” Critical Studies on Terrorism 9 (2): 247-268.

Alonso Recarte, Claudia (2016). “Encountering the Posthuman Animal: Revisiting Dian Fossey’s Gorillas in the Mist.” Atlantis 38 (2): 103-121.

Alonso Recarte, Claudia (2017). “Guillermo Vargas’s Exposition #1 in the Context of Global Animal Ethics.” Journal for Critical Animal Studies 14 (1): 4-36.

Alonso Recarte, Claudia (2017). “Volvamos al ‘perrito’: sufrimiento, ética y libertad artística en Exposición #1 de Guillermo Vargas.” Miríada Hispánica 14: 115-127.

Alonso Recarte, Claudia (2017). “Canine Actors and Melodramatic Effects: The Dog of Montargis Arrives in the English Stage.” Cahiers victoriens et édouardiens 86: 1-17.

Alonso Recarte, Claudia (2018). “‘When the animal cannot keep up a good appearance it had better go out of the room’: Vivisection and Theatricality in the Nineteenth and Early Twentieth Centuries.” Studies in Theatre and Performance 38 (2): 190-205.

Alonso-Recarte, Claudia, & Ignacio Ramos-Gay (2020). “‘A passionate call for murder’: Dying and Suffering in Spanish Film and Filmmaking.” Spanish Thinking About Animals, ed. Margarita Carretero-González, 67-84. Michigan State University Press.

Alonso-Recarte, Claudia (2020). “Pit Bulls and Dogfighting as Symbols of Masculinity in Hip Hop Culture.” Men and Masculinities 23 (5): 852-871. [2021 Javier Coy Research Award for Best Journal Article – Spanish Association for American Studies.]

Alonso-Recarte, Claudia (2021). “‘They stood like men’: Horses, Myth, and Carnophallogocentrism in Toni Morrison’s Home.” MELUS 46 (2): 87-110.

Alonso-Recarte, Claudia, & Ignacio Ramos-Gay (2022). “Real Animals and the Problem of Anthropomorphism in Children’s Film.” The Oxford Handbook of Children’s Film, ed. Noel Brown, 408-428. Oxford University Press.

Alonso-Recarte, Claudia (2022). “Tiger King and the Exegesis of COVID-19 Media Coverage of Nonhuman Animals.” Journalism and Media 3: 99-114.

Alonso-Recarte, Claudia (2022). “Weary Old Dogs: Ageing Masculinities in Arturo Pérez-Reverte’s Los perros duros no bailan.” Bulletin of Spanish Studies 99 (4): 619-639.

Alonso-Recarte, Claudia, Ignacio Ramos Gay, & Irene Romera Pintor (eds.) (2022). El animal no humano en la narrativa contemporània europea, special issue of Critica Letteraria anno L – IV (197).

Alonso-Recarte, Claudia, Ignacio Ramos Gay, & Irene Romera Pintor (2022). “Introduzioni / Introducción / Introduction.” Critica Letteraria anno L – IV (197): 717-754.

Alonso-Recarte, Claudia (2022). “J. R. Ackerley, Queenie, and Interspecies Interference.” Critica Letteraria anno L – IV (197): 815-830.

Alonso-Recarte, Claudia (forthcoming). “Bartabas et la question du sens équins dans Mazeppa.” La ménagerie théâtrale: écrire, incarner, mettre en scène l’animal en France (XVIII-XXIe siècles), ed. Ignacio Ramos-Gay. Classiques Garnier.

Berloni, William, Ignacio Ramos-Gay, & Claudia Alonso Recarte (2017). “Revisiting the History of the Implementation of Animal Welfare Policies in Theater and Film Productions: An Interview with William M. Berloni, Leading Trainer in Broadway Shows.” Revista General de Derecho Animal / Journal of Animal Law & Interdisciplinary Animal Welfare Studies 0: 201-222.

Bergthaller, Hannes, & Margarita Carretero-González (2018). “Population, Ecology, and the Malthusian Imagination: An Introduction.” Ecoz@n: European Journal of Literature, Culture and the Environment 9 (1): 1-10.

Carretero-González, Margarita (2018). “Un nuevo plato en el menú de las humanidades ambientales: los estudios veganos.” Humanidades ambientales: pensamiento, arte y relatos para el Siglo de la Gran Prueba, ed. J. Albelda, J. M. Henríquez, y J. M. Parreño, 218-232. La Catarata.

Carretero-González, Margarita, & José Marchena Domínguez (eds.) (2019). Cultural Representations of Other-than-Human Nature. Editorial UCA.

Carretero-González, Margarita (2019). “Looking at the Vegetarian Body: Narrative Points of View and Blind Spots in Han Kang’s The Vegetarian.” Through a Vegan Lens. Textual Ethics and Lived Activism, ed. Laura Wright, 165-179. University of Nevada Press.

Carretero-González, Margarita (2019). “Catholic Law on Bullfighting.” The Routledge Handbook on Religion and Animal Ethics, ed. Andrew Linzey, 286-296. Routledge.

Carretero-González Margarita (ed.) (2020). Spanish Thinking About Animals. Michigan State University Press.

Carretero-González, Margarita (2021). “Empathy through Interspecies Transcreation.” Women’s Studies 50 (8): 850-856.

Carretero-González, Margarita (2022). “Critical Anthropomorphism, Interspecies Transcreation and Political Justice in Anna Sewell’s Black Beauty (1877).” Critica Letteraria anno L – IV (197): 783-796.

Cassidy, Angela, and Brett Mills (2013). “‘Fox Tots Attack Shock’: Urban Foxes, Mass Media and Boundary-Breaching.” Environmental Communication 6 (4): 494-511.

Cucarella Ramón, Vicent (2019). “Biblical Echoes and Communal Home in Jesmyn Ward’s Salvage the Bones.” Miscelánea 62: 91-107.

Cucarella Ramón, Vicent (2022). “Reading Toni Morrison’s Beloved in Jesmyn Ward’s Salvage the Bones and Sing, Unburied, Sing.” Feminismo/s 40: 79-100.

Grant, Teresa, Ignacio Ramos Gay, & Claudia Alonso Recarte (2018). “Introduction: Real Animals on the Stage.” Studies in Theatre and Performance 38 (2): 103-112.

Grant, Teresa, Ignacio Ramos Gay, & Claudia Alonso Recarte (eds.) (2018). Real Animals on the Stage, special issue of Studies in Theatre and Performance 38 (2). [Published as a book by Routledge in 2020.]

Lajoinie Domínguez, María Teresa (2018), “Les élephants de la pagode ou l’animalité dans la construction de l’exotisme.” Synergies Espagne 11: 139-150.

Lajoinie Domínguez, María Teresa (2019). “De caballos, hombres y centauros. Reseña de Adiós al caballo. Historia de una separación, by Ulrich Raulff [2018].” Revista General de Derecho Animal y de Estudios Interdisciplinares de Bienestar Animal 3: RI §421694.

Lajoinie Domínguez, María Teresa (2020). “L’animal exotique comme vecteur historique: commerce, symbolique et exhibition d’animaux dans la France du XIXe siècle.” CEDILLE. Revista de Estudios Franceses 17: 285-206.

Lajoinie Domínguez, María Teresa (2021). “Éléphants vedettes de théâtre: Mlle. Djeck ou la starification animale dans la première moitié du XIXe siècle.” Anales de Filología Francesa 29: 699-721.

Lajoinie Domínguez, María Teresa (2022). “Jocko(s), Mazurier et ‘freak-shows’: figurations et representations de l’homme-signe au XIXe siècle.” Thèleme. Revista Complutense de Estudios Franceses 37 (1): 5-14.

Lajoinie Domínguez, María Teresa (2022). “De l’animal d’élevage dans le roman français contemporain: Règne animal de Jean-Baptiste del Amo.” Critica Letteraria anno L – IV (197): 862-877.

Lajoinie Domínguez, María Teresa (forthcoming). “Récits de vie et de mort : l’éléphantomanie au XIX e siècle à travers la presse.” Le temps des médias. 

Lajoinie Domínguez, María Teresa (forthcoming). “Jocko ou la mise en écriture du Singe du Brésil au 19^e siècle.” La ménagerie théâtrale: écrire, incarner, mettre en scène l’animal en France (XVIII-XXIe siècles), ed. Ignacio Ramos-Gay. Classiques Garnier.

Máximo Bocanegra, Nuria (2012). “Terapia asistida con animales.” Neurorrehabilitación: métodos específicos de valoración y tratamiento, coords. Roberto Cano de la Cuenta, Susana Collado Vázquez, 465-471. Editorial Médica Paramericana.

Máximo Bocanegra, Nuria (2018). “El papel del animal de compañía en la sociedad española: aspectos socio-sanitarios y de convivencia. Comentarios al hilo del Informe del papel del animal de compañía en el ámbito familiar y socio-sanitario de la CEVE.” Revista General de Derecho Animal y de Estudios Interdisciplinares de Bienestar Animal 2: RI §421002.

Máximo Bocanegra, Nuria, Marta Gómez Gómez, Ana Belén Arredondo Provecho, & Ella Pérez Fernández (2018). “Una propuesta de aprendizaje-servicio solidario para la formación en valores en escolares: una nueva relación con los animales.” Educación y Futuro Digital 16: 111-131.

Máximo Bocanegra, Nuria (2019). “Jugar con caballos no es un juego. Reseña de Juegos con caballos para estimular el desarrollo en la infancia y la adolescencia, de Andrés García Gómez [2019].” Revista General de Derecho Animal y de Estudios Interdisciplinares de Bienestar Animal 4: RI §421789.

Mills, Brett (2010). “Those Pig-Men Things.” M/C Journal: A Journal of Media and Culture 13 (5). https://journal.media-culture.org.au/index.php/mcjournal/article/view/277

Mills, Brett (2010). “Television Wildlife Documentaries and Animals’ Right to Privacy.” Continuum: Journal of Media and Cultural Studies 24 (2): 193-202.

Mills, Brett (2013). “Invalid Animals: Finding the Non-Human Funny in Special Needs Pets.” Journal of Literary and Cultural Disability Studies 7 (3): 321-335.

Mills, Brett (2013). “The Animals Went in Two by Two: Heteronormativity in Television Wildlife Documentaries.” European Journal of Cultural Studies 16 (1): 100-114.

Mills, Brett (2015). “Towards a Theory of Documentary Representation for Animals.” Screen 56 (1): 102-107.

Mills, Brett (2016). “‘If this was a human…’: Pets, Vets and Medicine on Television.” Critical Studies on Television 11 (2): 244-256.

Mills, Brett (2016). “‘Out there, in the world’: Representations of the Zoo and Other Spaces in the Madagascar Trilogy.” The Zoo: Images of Exhibition and Encounter, eds. Michael Lawrence & Karen Lury, 137-152. Palgrave Macmillan.

Mills, Brett (2017). Animals on Television: The Cultural Making of the Non-Human. Palgrave Macmillan.

Mills, Brett (2020). “The Parrot, the Albatross, and the Cat: Animals and Comedy in Monty Python.” And now for Something Completely Different: Critical Approaches to Monty Python, eds. Kate Egan & Jeffrey Weinstock, 141-154. Routledge.

Mills, Brett (2021). “Chernobyl, Chornobyl, and Anthropocentric Narrative.” Series: International Journal of Serial Narratives 7 (1): 5-17.

Muñoz Lasa, Susana, Nuria Máximo Bocanegra, Raquel Valero Alcaide, María de los Ángeles Atín Arratibel, & Enrique Valera Donoso (2015). “Intervenciones asistidas por animales en neurorrehabilitación: una revisión de la literatura más reciente.” Neurología: Publicación Oficial de la Sociedad Española de Neurología 30 (1): 1-7.

Muñoz Lasa, Susana, Carlos López de Silanes, María de los Ángeles Atín Arratibel, Carmen Bravo, Salvador Pastor Jimeno, & Nuria Máximo Bocanegra (2019). “Effects of Hippotherapy in Multiple Sclerosis: Pilot Study on Quality of Life, Spasticity, Gait, Pelvic Floor, Depression and Fatigue.” Medicina Clínica (English Edition) 152 (2): 55-58.

Ramos-Gay, Ignacio (2015). “El actor animalizado en las culturas parateatrales victorianas.” Bestiarios y metamorfosis en las literaturas clásicas, eds. Ángel Narro & Lluis Pomer, 175-187. Hakkert Publisher.

Ramos-Gay, Ignacio (2017). “Sobre el espectáculo animal en la cultura occidental.” Miríada Hispánica 14: 1-28.

Ramos-Gay, Ignacio (2017). “Ópera pre-trágica y representación animal: sobre la recepción de Moses und Aron en el Teatro Real de Madrid.” Miríada Hispánica 14: 169-188.

Ramos-Gay, Ignacio (ed.) (2017). Animal y espectáculo en el mundo hispánico, número especial de Miríada Hispánica 14.

Ramos-Gay, Ignacio (2018). “‘Des singes, c’était le narcisse’: Class, Imitation and Performing Monkeys in Late-Eighteenth Century Paris.” Studies in Theatre and Perfomance 32 (8): 130-148.

Ramos-Gay, Ignacio (2018). “‘A ghastly and blasphemous nightmare’: Environmental Ethics in Dickens’s Journalism.” Baltic Journal of English Language and Literature 8: 89-100.

Ramos-Gay, Ignacio (2018). “Animalisation, darwinisme et eugénisme dans Le prix Martin.” Les mondes de Labiche, eds. Olivier Bara, Violaine Heyraud et Jean-Claude Yon, 149-169. Presses Universitaires de la Sorbonne Nouvelle.

Ramos-Gay, Ignacio (2019). “Le singe sur scène au XVIIIe siècle: le cas de Turco.” Le singe au XVIIe et XVIIIe siècles. Figures de l’art, personnage littéraire et curiosité scientifique, eds. Florence Boulerie et Katalin Kovacs, 225-238. Éditions Hermann.

Ramos-Gay, Ignacio (2020). “Animality and Biblical Masculinities in Conflict: Moses and the Golden Calf.” Men and Masculinities 23 (5): 814-832.

Ramos-Gay, Ignacio, & Claudia Alonso-Recarte (2020). “Zoomasculinities: At the Intersection Between Animals, Animality, and Masculinity.” Men and Masculinities 23 (5): 807-813.

Ramos-Gay, Ignacio, & Claudia Alonso-Recarte (eds.) (2020). Zoomasculinities: Animals, Animality, and Masculinity, special issue of Men and Masculinities 23 (5).

Ramos-Gay, Ignacio (2020). “La marioneta ecuestre en el teatro actual.” Homenaje a Juan Bravo Castillo, ed. Christian Hagedörn, 479-492. Servicio de Publicaciones de la Universidad de Castilla-La Mancha.

Ramos-Gay, Ignacio (2020). “Eugène Labiche ou la morale ‘zoocomique.’” La morale en action au 19e siècle, ed. Violaine Heyraud, 63-76. Presses de la Sorbonne Nouvelle.

Ramos-Gay, Ignacio, & Claudia Alonso-Recarte (2021). “On Long-lasting Humanimal Friendships: Gayness, Aging, and Disease in Lily and the Octopus.” Aging Masculinities in Contemporary US Fiction, ed. Josep M. Armengol, 171-188. Palgrave Macmillan.

Ramos-Gay, Ignacio, & Claudia Alonso-Recarte (2022). “Animal Voices: Equine Autobiography and Poverty in Nineteenth-Century French and British Narratives.” Pauvretés esthétiques esthétiques au XIXe siècle: regards croisés franco-britanniques, eds. Anne-Florence Gillard-Estrada & Florence Fix, 169-186. Éditions Universitaires de Dijon – EUD.

Ramos-Gay, Ignacio (2022). “Animal e infancia en La lengua de las mariposas de Manuel Rivas (1995).” Critica Letteraria anno L – IV (197): 878-900.

Ramos-Gay, Ignacio (2022). “Female Nudity, Interspecies Sexuality and 'Horseness' in Laetitia Dosch's Hate (2018).” Theatre Research International 47 (2): 1-22 .

Ramos-Gay, Ignacio (2022). “Le ‘singe de Nicolet’: animalité, féminité et voyeurisme interspécifique dans le théâtre de la foire (1760-1768).” Studi Francesi 196: 104-116.

Ramos-Gay, Ignacio (2022). “Caraby, chien savant: Notesl sur l’exhibition d’animaux dressés chez Nicolet.” Les Lumières du théâtre, avec Pierre Frantz, ed. Sophie Marchand, 193-300. Classiques Garnier.

Ramos-Gay, Ignacio (forthcoming). “Introduction: écrire, incarner, mettre en scènce l’animal.” La ménagerie théâtrale: écrire, incarner, mettre en scène l’animal en France (XVIII-XXIe siècles), ed. Ignacio Ramos-Gay. Classiques Garnier.

Ramos-Gay, Ignacio (forthcoming). “L’amazone au théâtre: Laetitia Dosch.” La ménagerie théâtrale: écrire, incarner, mettre en scène l’animal en France (XVIII-XXIe siècles), ed. Ignacio Ramos-Gay. Classiques Garnier.

Ramos-Gay, Ignacio (ed.) (forthcoming). La ménagerie théâtrale: écrire, incarner, mettre en scène l’animal en France (XVIII-XXIe siècles). Classiques Garnier.

Ramos-Gay, Ignacio (forthcoming). “'Le singe hors de sa cage': Mazurier-Jocko au théâtre de la Porte Saint-Martin.” Études littéraires.

Ramos-Gay, Ignacio (forthcoming). “'Le bon ange de son maître': Mélodrame animalier et théâtre humanitaire en France (1815-1850).” Nineteenth-Century French Studies.

Vives-Ferrándiz Sánchez, Luis (2019). “Simia manu facta: el selfie de Naruto y los márgenes de la creatividad.” Boletín de Arte 40: 219-229.

Vives-Ferrándiz Sánchez, Luis (2022). “La imagen del dinosaurio: ciencia, cultura y ética animal.” Cultura visual en tiempos digitales y posthumanos, ed. Luis Vives-Ferrándiz Sánchez, 171-203. Sans Soleil.